26831 Are 2D Pictures Becoming "Faux-Tography?" the Value of Incorporating 3D Photography into Your Aesthetic Practice

Thursday, April 30, 2015: 4:50 PM
Jillian E Schreiber, BA , Plastic Surgery, Montefiore Medical Center, Albert Einstein College of Medicine, Bronx, NY
Carrie Scharf Stern, MD , Plastic Surgery, Montefiore Medical Center, Bronx, NY
Evan S Garfein, MD , Plastic Surgery, Montefiore Medical Center, Bronx, NY
Elizabeth B Jelks, MD , NYU, New York, NY
Glenn W. Jelks, MD , Plastic Surgery, (NYU) New York University School of Medicine, New York, NY
Oren Tepper, MD , Plastic Surgery, Montefiore Medical Center, Bronx, NY

Background

Most aesthetic practices today rely on two-dimensional (2D) photographs for patient assessment and surgical planning. In comparison, 3D photography is used only by a small percent of surgeons and primarily utilized to enhance the consultation with simulation.  Yet, the value of 3D photography extends well beyond marketing with the potential to significantly enhance patient analysis and implementation of a surgical algorithm. photos give the ability to objectively analyze the face on the computer in a manner that exceeds the in person exam. The goal of this study was to assess the clinical utility of 3D photography and determine procedures that would most benefit from a 3D analysis report.

Methods

Since July 2014, the senior authors (OT, GW) have included 3D photographs as part of the pre-operative work-up for patients undergoing facial aesthetic procedures. 3D photographs were obtained with a portable hand-held camera (Canfield Vectra H1) or automated photo-booth (Di3D System). A standardized pre-operative 3D report was generated for all patients undergoing surgery that included: creation of a mid-sagittal plane, placement of key landmarks, and calculation of surface and vector distances from the midline. Each hemi-face was reflected to the opposite side such that two new composite 3D faces were created, termed right and left "hemi-composites". A symmetry report was then generated and color maps produced by calculating differences in volume and projection.

Results

Both 3D photo capture systems generated face models that were used to create an analysis report. The dimensional accuracy of the photographs did not differ between the stationary and portable capture system, which required stitching based on selection of key landmarks. Inter-user differences among technicians did not affect the image quality. Of the various measurements provided in the 3D analysis report, 'symmetry' analysis proved to be the most valuable component (Figure 1).  During the preoperative consultation, composite views highlighted inherent asymmetry and helped patients identify "favorable" features. This helped to align patient and surgeon goals. Symmetry reports and composite views provided a means of facial analysis, far superior to relative to standard 2D photos.

Color volume maps demonstrated volume deficient areas and also the degree of regional deficiency (Figure 2). Fat transfer maps for targeted injection were generated, which was a significant improvement from traditional method of subjective patient markings. We found this particularly useful in lipostructure used to augment medial and lateral cheek compartments and for blending of the lid-cheek junction.

Conclusions

3D photography is valuable tool in facial aesthetic surgery with various applications. Symmetry analysis can supplement surgical simulation and help align patient preferences with surgeon goals. A standard 3D analysis report provides objective measurements of facial anatomy, which can help guide treatment. Ongoing studies are looking at 3D photography as an intra-operative reference, as well as post-operatively to measure surgical outcomes. Based on our experience, we believe 3D photography will play an increasing role in plastic surgery practices and ultimately may become standard of care for patient assessment and surgical planning.